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Xaviera Simmons: Into the New Sea (Nomad)
16 × 20 in
Chromogenic print of color photograph.
Limited Edition of 20
Signed and numbered by the artist.
Courtesy the artist
Xaviera Simmons’ Limited Edition Into the New Sea (Nomad) depicts an empty field of wheat punctured only by the sinuous curve of Simmons’s body, which is draped in a striking red shawl that recalls a traditional African outfit. In motion, the artist appears mid-glance, leaving the viewer to construct their own theories as to why she is there and what she may be looking at.
For inquiries and/or alternate forms of payment, please contact Art in General;
Lina Alfonso at email: [email protected] or tel: 212-219-0473 ext.105.
Art in General’s 2006 New Commission Xaviera Simmons: How To Break Your Own Heart , was composed of an installation and series of performances. For the installation, Simmons installed a music room complete with a DJ turntable station, over 200 jazz albums and a seating area. Intended to double as a performance space, Simmons invited bands to rehearse when she was not DJing. In addition, she has created two videos that form a visual collage of jazz documentaries and concerts through the appropriation of historical footage. The TV monitors are placed on a windowsill facing the street and are on view twenty-four hours a day. (Jan 14, 2006–Jul 25, 2006)
Xaviera Simmons’s body of work spans photography, performance, video, sound, sculpture, and installation. She defines her studio practice, which is rooted in an ongoing investigation of experience, memory, abstraction, present and future histories—specifically shifting notions surrounding landscape, character development, and formal processes—as cyclical rather than linear. In other words, Simmons is committed equally to the examination of different artistic modes and processes; for example, she may dedicate part of a year to photography, another part to performance, and other parts to installation, video, and sound works—keeping her practice in constant and consistent rotation, shift, and engagement.
Simmons received her BFA from Bard College (2004) after spending two years on a walking pilgrimage retracing the Trans-Atlantic Slave Trade with Buddhist Monks. She completed the Whitney Museum’s Independent Study Program in Studio Art (2005) while simultaneously completing a two-year actor-training conservatory with The Maggie Flanigan Studio. Simmons has exhibited nationally and internationally where major exhibitions and performances include: The Museum of Modern Art, MoMA PS1, The Studio Museum in Harlem, The Contemporary Arts Museum Houston, The Public Art Fund, The Sculpture Center, The Aldrich Contemporary Art Museum, David Castillo Gallery, and The Savannah College Of Art and Design, among many others.
Selected upcoming solo and group exhibitions for 2015-2016 include a commissioned sound work for the 2015 iteration of Frieze, NY and Frieze London, along with the exhibitions Accumulations, Light Work Syracuse, Foto, Annin Arts, London, Number 16, Kemper Museum Of Art, Kansas City; Radical Presence, Yerba Buena Center For The Arts, San Francisco; Where Do We Migrate To, Vamlands Museum, Sweden; and When The Stars Begin To Fall, ICA Boston, among many, many others. Her works are in major museum and private collections including Deutsche Bank, UBS, The Guggenheim Museum, The Agnes Gund Art Collection, The Museum of Contemporary Art Chicago, The Studio Museum in Harlem, MOCA Miami, The Nasher Museum Of Art at Duke University, and The Perez Art Museum, Miami. Simmons is the recipient of significant and numerous awards including a 2015 Recipient of a Foundation for Contemporary Art Grants To Artists Award for Visual Art.